I had to re-record this, sorry. I forgot to hit start.
The theme here is the mission and work of Jesus accomplished when he “set his face to go to Jerusalem”. All of that gets applied to us by grace, through faith. But it is a graceious and faithful call. A call not simply to a mental activity, like those sly foxes, nor a call to simply industriousness, like the bird. It is a call to follow Jesus. To set our faces for Jerusalem. We often walk toward and earthly Jerusalem that does to us that same thing it did to Jesus, rejects us. But we are always walking toward the New Jerusalem. By faith we can see that city, whose builder is God.
In the text I find two themes that follow each other. The first is that the way of grace in this world is the way of meekness. Then the way of meekness leads to the cross. God chose grace and meekness, not the artillery of heaven to deal with sinful man. What that means for the disciple whose life is conformed to Christ and not the other way around is that in living lives of grace we expect the cross.
The tough sayings of the second part of the text are directed as warnings at the disciple, the person whose life has been re-oriented away from the self and towards God. There are more palatable ways to say the same things. I would take the parable of the soils to be that more palatable way, but in the context Jesus is after the shock value. No disciple should be able to say “you fooled me”.
The way of the cross is only made possible first by the fact that Jesus walked it already. Second it is enabled by the promises of God. Jesus set his face to Jerusalem. We set our faces to the New Jerusalem. That is how we stay on the straight path.
Worship note: I’ve left in the recording Lutheran Service Book 856, O Christ Who Called the Twelve. The tune should be familiar, It is My Father’s World is probably what you might hear. But that is the magic of hymn tunes. They are often repurposed. It is a good prayer hymn to end a service on. I didn’t include it in the recording, but the text also allowed us to sing a wonderful hymn, LSB 753, All For Christ I Have Forsaken. I linked up another congregation singing it because copyright. It has that haunting Southern Harmony melody. This is an example of a song that would never be sung in most “contemporary” churches. The text reflects Jesus’ words which are not exactly “stay on the sunny side”. But when the theme is the thorns of discipleship, it is beautiful. Something that he gospel allows that therapeutic Christianity doesn’t. “Though my cross shaped path grows steeper, with the Lord I am secure.”